When one smartphone camera isn’t enough, try four.
New Zealand-born photojournalist Robin Hammond does not turn away from human suffering, but bears it witness. His images of rape in the aftermath of civil war in the Democratic Republic of Congo, industrial injustice in Lesotho, and mental health across northern Africa have created global concern, and demand that we do not turn away either.
Jonathan Suckling's vision for the future of Aotearoa is for a country where people live connected lives full of meaning; one in which we learn to listen and appreciate those around us.
Nisha Ravji's hope for the future of New Zealand is that we continue to celebrate love no matter what we identify with or where we come from.
Esther Bunning's hope for the future of Aotearoa is that we nurture and encourage the voice of our youth.
Mark Gee’s hope for the future of New Zealand is to breathe meaning into our cities by preserving the open spaces for people to enjoy and share.
Richard Wong's hope for the future of New Zealand is harmony through diversity, showing that even things with conflicting natures can live together peacefully.
The inaugural Canon Personal Project Grant enabled Richard Robinson to photograph the far reaches of New Zealand’s ocean territory.
There are difficult assignments, and then there’s filming in a watery, dank space with barely room to move. Director Melissa Nickerson goes behind the scenes of Luckie Strike, her documentary about the search for a connection between two Waitomo caves.
Want to leap from weekend shutterbug to jobbing photographer? Here's how.
For photographers wanting take their craft to new heights, or move up a level, drones offer a world of new perspectives (and new metaphors).
The Lumix GH5 is the most-anticipated camera of 2017. Does it live up to the hype?
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