The Invisible Immigrants

Three hundred and fifty years after Abel Tasman and his sailors became the first Europeans to sight these shores, we go in search of Tasman’s legacy: the Dutch in New Zealand.

Written by       Photographed by Arno Gasteiger

Soulful strains from his squeeze-box remind Dirk Ploeg of a homeland he left 20 years ago. Like many immigrants, he and his wife brought Holland with them, in the things they surround themselves with: paintings, knick- knacks and music. “New Zealand is now my home,” Dirk says, but when his fingers travel the keys his heart turns to Holland. Along with 140 other Dutch residents, the Ploegs live in Ons Dorp, a Dutch retirement village in Henderson. When Queen Beatrix visited New Zealand as part of the 1992 Abel Tasman Year celebrations, they lined the avenues of the village to greet her, calling out “Leve de Koningin!” (“Long live the Queen!”). They even dressed up the letterboxes for the occasion. “I feel that I’ve come to a little part of Holland!” remarked the Queen.
Sinterklaas isn’t complete without the presence of Zwarte Piet (“Black Peter”). This character (a number of whom usually accompany St Nicholas) originates with the Moors who occupied Spain in the 15th centLIly. Spain in turn occupied the Netherlands, and Dutch children are still told that St Nicholas sails from Spain to Holland to bring them their presents.

Every year, when I was a child, Saint Nicholas would arrive on the fifth of December at Oma’s place in Christchurch with everything but the traditional white horse.

Flanked by at least two Black Pe­ters, Sinterklaas looked fragile as hoar frost with his long white beard, white lace-trimmed gown and white gloves. A red bishop’s mitre emblazoned with a gold cross sat on his head, and his shoulders were warmed by a red and gold cape. A wooden staff, taller than he was, was always at his side. St Nicholas was an other-worldly, royal presence who moved, in keeping with his age and dignity, as if wading through oil, slowly and deliberately. But I felt well disposed towards him since he was the one with the presents.

It was the Black Peters you had to watch. The modern-day version of whips, they were there to judge your behaviour and mete out punish­ment. Older Dutch people say they were terrified of Black Peter as a child. I had my doubts about their real power, given Sinterklaas’s and Oma’s presence, but they looked scary enough with their shiny black­ened faces, yellow teeth and obscene pink gums. Their legs were girded in black tights, and from their hips bal­looned a comic pair of pants, the whole outfit set off with a soft black velvet beret and one over-large dash­ing feather. Sometimes they wore big silver earrings, and the effect was of a rather exotic pageboy.

They inevitably had a feminine form, since their numbers were drawn from my aunties. To the tune of “Zie de maan schijnt door de bomen” (“See the moon shine through the trees”) the entourage ceremoniously entered the room and began the interrogation.

In typical Dutch fashion, nothing was for nothing. You had to earn your presents. Your performance throughout the year was reviewed (“Have you been a good girl?”), and a performance on the day was re­quired as well. A song, a rhyme, even a joke would have done. But we had already been infected by the Kiwi virus of reticence, and there were some who couldn’t, wouldn’t sing, and one who refused to even get out of the car.

In the centre of it all was Oma, more regal and demanding than any St Nicholas. Encouraged by one of her sons who was already in New Zealand, she emigrated here with the three youngest of her 13 chil­dren in 1956 at the age of 60. She never quite learned to speak Eng­lish, and she always gave you the impression of being a displaced per­son. But on the one occasion Oma did return to Holland, she found she missed New Zealand, so this was now her home.

In any case, wherever she went Holland came with her. Oma had her own portable Dutch interior, to her the sine qua non of feeling at home. It consisted of a wooden dresser, a thick, bristling carpet the colour of dried blood for the table, some Delfts blauw plates and orna­ments, silver spoons, blue-and­white Chinese ginger jars, Dutch paintings in old gilt frames, a photo of her mother and the unmistakable scent of Eau de Cologne lingering in the air.

On this small Dutch stage, Sinterklaas was acted out with as much verisimilitude and enthusi­asm as the range of imports could muster. We often had speculaas (a crisp cinnamon biscuit pressed into windmill shapes) and taaitaai (tough aniseed-flavoured biscuit), but we rarely ate pepernoten (spicy biscuits moulded into a tiny mound rather like a nut). The Sinterklaas tradition of making doggerel rhymes about one another had long been dis­carded, as had the ritual of putting out carrots in clogs filled with straw for Sinterklaas’s horse.

What we had was simply an ab­breviated version of the full Dutch Saint Nicholas. Yet even if the occa­sion had been duplicated faithfully, there are some things which are im­possible to transplant. The knee-trembling fear the older Dutch mi­grants remember, and the theatrical elements of the occasion, had been inevitably diluted in the 20,000km stretch separating New Zealand and the Netherlands. This St Nicholas looked rather like an antique im­poster compared with the robust Santa Claus we Kiwi kids were wait­ing for on Christmas Day.

That was the 1960s. Today Sinterklaas is only celebrated if a Dutch Club organises it. The immi­grants themselves are now Omas and Opas, and it is their grandchil­dren who are told “St Nicholas is coming!” More often than not, you can see this means less than nothing to them, and no wonder they’re be­wildered: expected to sing in a for­eign language, dance new dances and obey demands for a recitation sprung on them by a strange old cleric.

Years later, I asked my mother why they bothered with Sinterklaas. It wasn’t for us, she said. It was all done for Oma. Perhaps not surpris­ingly, then, the best Sinterklaas in New Zealand is still to be found where Omas and Opas reside, in the Dutch retirement village, Ons Dorp, in Henderson. Here Sinterklaas with all the trimmings unfolds to the de­light of the residents, a delight so unguarded and spontaneous it seems to rejuvenate the occasion for their grandchildren.

Colourful though it is, this festive moment is one of the few visible expressions of Dutch culture in New Zealand, and even then it takes place in the domain of the elderly. The language, rituals and domestic observances which make up this culture have largely disappeared in New Zealand. For the most part Dutch immigrants have been at pains to assimilate, often announc­ing proudly in the thickest of ac­cents that they are dinkum Kiwis. Nevertheless they were once the largest group of non-English speak­ing immigrants in New Zealand, a product of a wave of mass migration which occurred after World War II. Almost 40,000 Dutch people emi­grated to New Zealand, and today there are 80,000 people of Dutch de­scent in this country.

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Though a Dutchman first brought New Zealand to the attention of the world in the 17111 century, Abel Tasman never set foot here, and before World War II there were only 128 Dutch-born peo­ple in New Zealand. A number of these were “Christianisers”— churchmen and missionaries such as the Mill Hill Fathers, members of the English-based St Joseph’s Soci­ety for Foreign Missions. Others were adventurers or wanderers, many having lived in England be­fore coming here.

A few names stand out in our his­tory, such as the van Asch family who pioneered education for the deaf in 1880. Gerrit van Asch was a determined advocate of lip-reading, and abhorred sign language, but his greatest talent is said to have been his gift for imparting an understand­ing of language to his pupils. The van Asch school continues today, and grandsons of the founder are credited with pioneering aerial map­ping in this country (Piet van Asch) and the daring Kiwi sport of bungy jumping (Henry van Asch).

In 1890 the van Asch family were host to another Dutchman who was to earn a lasting place in the history of New Zealand art. Petrus van der Velden was the first New Zealand painter to fashion his art from the natural world around him. He aston­ished locals by venturing outside to paint in the stormiest weather, but the result of these outings was works like the unforgettably grand expres­sionist series on the Otira Gorge.

“Colour is light—light is love—love is God, and when you under­stand this you are an artist,” he wrote. A true bohemian who lived in near poverty for most of his life, van der Velden believed in giving your all to art in a country where painting was regarded as a hobby. For this reason, if no other, he be­came an almost legendary figure in the first generation of New Zealand painters.

In Wellington a Dutchman, Rabbi van Staveren, became the spiritual head of the Jewish community, and in the 1870s the son of a Dutchman even became prime minister: Sir Julius Vogel.

But it was not until the end of World War II and the collapse of the Dutch East Indies colonial empire that emigration to New Zealand be­gan in earnest. The war exacted a heavy toll on the Netherlands. Half a million men were carted off to Ger­man labour camps. Dutch Jewry was all but extinguished in the gas cham­bers. Eighteen thousand civilians died of starvation in the terrible win­ter of 1944 – 45.

Post-war recovery was slow. The Dutch economy was in tatters, and high unemployment, insufficient hous­ing and rampant bureaucracy put in­tense pressure on an ever-growing population in an already over­crowded country. A survey in 1948 showed that a third of the Dutch population were interested in leav­ing their straitened and war-ravaged homeland.

The Dutch Government added its own voice to the chorus of dissatisfac­tion at home with a vigorous media campaign promoting emigration. New Zealand was just one of several choices of destination, though some links with the country had already been established.

Even before the war had started the Netherlands had dispatched five young carpenters to New Zealand on a pilot scheme, and in 1945 New Zealand temporarily hosted 2000 Dutch evacuees from Indonesia. Though only here to recover from their ordeal in prison camps, their reports about the country inspired a number of later immigrants.

New Zealand, with its booming economy and desperate shortage of labour, welcomed the Dutch—al­though they were not the first choice. British people were regarded as the most desirable, followed by Scandinavians (described as the “least alien of aliens”), with Dutch coming in third, but only those “fully of European race and colour and/or northern European extrac­tion.” Dutch people of Indonesian ex­traction were barred, as were any oth­ers whose features deviated from the prescribed “look”. Naturalisation of­ficers were trained to assess appli­cants on their “alien characteris­tics”—this in a country that boasted racial equality and freedom from discrimination.

On arrival, it was made clear to immigrants that they were aliens not just in name, but also in the eyes of the law. It was a label many bore with resentment. As well as suffer­ing the indignity of being finger­printed, they had to register with the police and notify them of any change of residence, occupation, name or marital status. They could not enter the armed forces or law, and were able to become a public servant only with the Governor Gen­eral’s consent. Nor could they vote in general elections or own large tracts of land.

Even when they chose to become naturalised the Dutch found they had what many regarded as second-class citizenship. Unlike other New Zea­landers, they could be stripped of their nationality for criticising the Queen, for being a traitor, for incur­ring a jail sentence of more than 12 months, or for living out of the coun­try for more than six years. These requirements were eventually dropped in 1960, following years of protest by a number of Dutch peo­ple.

Many immigrants naturalised as a matter of course, feeling it their duty since they had chosen to live in New Zealand. Besides, remaining Dutch was frowned upon and ac­tively discouraged in those days. In practice, any desire by the Dutch to hold on to their heritage or simply seek solace in one another’s com­pany was stymied by the govern­ment’s settlement policy. To prevent them living or working in “a foreign cell” they were scattered the length and breadth of the land. For in­stance, the first planeload of 55 Dutchmen to fly directly from Holland to Whenuapai in December 1950 were immediately despatched to dairy factories all over the country. As a result of this policy the Dutch are spread more evenly through the country than any other recent immi­grant group, and have suffered a higher rate of language loss.

For the Dutch migrant, used to close family and neighbourly ties, this isolation was often a recipe for loneliness. In his book Tasman’s Legacy, The New Zealand – Dutch Connection, author Hank Schouten paints a moving picture of the Dunedin express train chugging slowly through the Canterbury Plains. At various small stops a Dutchman clutching only his suit­case climbs off to start his new life.

One immigrant who came out as a child still remembers his mother’s sigh as the rural landscape unfolded before them on a similar journey. It was an intake of breath, he says, which seemed to go on and on.

New Zealand was undeniably beautiful. They had never seen any­thing like the preternatural green of the countryside or the aniline blue sky dotted with archipelagos of white cloud. What’s more, everyone had a washing machine and a fridge—a luxury in the Netherlands in those days. New Zealand looked quietly prosperous.

Yet for all its bounty, the country also had a curiously impoverished appearance. The poor quality cloth­ing, the extensive use of corrugated iron, the ugly household furniture—these looked cheerless and cheap to the Dutch. Poet Riemke Ensing re­calls her first day at school in Dargaville. On seeing the boys in their short pants and bare feet—in winter—and girls in plain gym frocks, she remarked to her sister, “This must be the most poverty-stricken place in the world.”

There was a startling uniformity to everything, too. Houses were painted in shades of oatmeal, and in­side the decor was spartan. The ubi­quitous mirror over the fireplace re­flected nothing more than a vast ex­panse of wallpaper.

When Suzy van der Kwast started her coffee lounge in Wellington in 1963 she noticed that women wore pink hats with flowers, navy blue suits and gloves, while men wore monogrammed blazers, white shirts, black trousers, and carried tin lunch-boxes to work. She thought it quaint.

In Christchurch, textile engineer­turned-wool buyer Karel Adriaens observed a predominance of grey in both men’s and women’s clothing, and was surprised that only solici­tors and doctors wore suits. In 1961 he left wool-buying to enter the fash­ion business, trying his hand first with children’s clothing (he had a hit with children’s duffel coats) and then with women’s wear. The com­pany he formed, Cotura Fashions, derived design inspiration from in­ternational fashion magazines, and sometimes Adriaens simply bor­rowed and copied the imported gar­ments of people he knew.

Assisted immigrants (those whose passage had been paid by the Dutch and New Zealand governments) were obliged to accept jobs wherever they were assigned. Lawyers found themselves working as cleaners; nurses as housemaids. One person requested a job in dairying thinking he would be working on a farm, found himself in a dairy factory. In the New Zealand of 1950s the pressing need was for labourers, and for most immigrants their first work was literally by the sweat of their brow. In this 1951 photograph an immigration officer checks the papers of young Dutch men on the migrant ship Groote Beer.
Assisted immigrants (those whose passage had been paid by the Dutch and New Zealand governments) were obliged to accept jobs wherever they were assigned. Lawyers found themselves working as cleaners; nurses as housemaids. One person requested a job in dairying thinking he would be working on a farm, found himself in a dairy factory. In the New Zealand of 1950s the pressing need was for labourers, and for most immigrants their first work was literally by the sweat of their brow. In this 1951 photograph an immigration officer checks the papers of young Dutch men on the migrant ship Groote Beer.

But it was not only the design of clothing that struck the Dutch. Toni Enright, who was 20 when she ar­rived in Roxburgh, remembers the black coal ranges in the houses, and the stench of sulphurous coal. “It was like being in hell,” she said. Af­ter the unremitting flatness of Hol­land, Central Otago’s menacing mountain ranges brought on bouts of claustrophobia. “I couldn’t breathe. I was used to a huge ex­panse of sky, and in Roxburgh all I had was a little circle of sky above the hills. In winter, we only saw the sun for five hours a day. It seemed so gloomy.”

The towns were different too. With one long main street and noth­ing much besides, they bore no re­semblance to the settlements they knew, with houses radiating like spokes on a wheel from the focal point of the church or cathedral. “I could just see a cowboy on a horse riding down the main street. It was how I imagined the Wild West to be,” says Suzy.

The people had a touch of the Wild West about them as well, and this rubbed off on a few of the new­comers. Father Gerrit van Beek, a Mill Hill missionary priest, became something of a legend in Auckland because of his unorthodox methods. John van Camp, son of chocolate-maker Antony van Camp, recalled his mother’s shock at seeing Father van Beek wandering down the road, sporting khaki trousers, a grubby shirt and a large beard. Beside him was another man in similar garb. Van Beek greeted the van Camps and introduced his scruffy friend—the Bishop of New Zealand.

“My mother was used to seeing priests in formal attire,” said John.

“The shock of seeing them like that was almost more than she could bear.

“In 1946 van Beek was still riding a horse down Queen Street. He used to shoot rats, too, and was famous for getting into fights about religion in the pub. Once, when someone didn’t come to church, he could hear him working with his circular saw, and knew he must be at home. So he went and got the blighter!”

Despite his eccentricities, van Beek was a key figure in starting a chain migration from Deurne, to the Waikato. A talk he gave in the Neth­erlands set the seal on the decision of John and Elizabeth van den Heuvel and their 12 children to emi­grate in 1949. It was a startling move for the children, many of whom had never ventured further than their lo­cal school or church before setting off for the other side of the world. Even their first language was the lo­cal dialect, not Dutch. Today oldest son Antony, then 20, sometimes wonders what motivated his parents to endure “the hell they went through.

Their first house had no beds, and just a few apple crates for chairs. The walls were sawn off at the ceil­ing, with boards removed so that they looked like a picket fence. For three weeks the family slept on hay bales. Cow covers substituted as blankets, and the family caught rab­ bits for stew. Antony’s mother and oldest sister bawled their eyes out, and said they would have crawled home on their knees if they could have.

Local Catholics came to the res­cue with clothing and furniture, and before long the family was sharemilking on another farm, working towards owning their own land. Though it took 10 years before this was achieved, their experience resulted in the departure of more than 30 families from their village to “little Deurne”, a name which is more an abstraction than a locality.

Not all migrants suffered such privations. After 1950 the Dutch and New Zealand governments agreed to jointly pay the passage of unskilled immigrants, and often arranged ac­commodation and employment for them. Some, like the Ensing family, even brought with them their own prefabricated houses, which could be erected without nails. Neverthe­less, for many migrants the generos­ity of New Zealanders bringing them food and clothing not only made life easier but the welcome warmer.

Generally, the Dutch liked their new countrymen enormously, even if they complained they were never invited to their homes. New Zea­landers were endlessly resourceful, and their willingness to “give it a go” soon won the immigrants’ admi­ration. New Zealanders, it seemed, could do anything: fix a car, build a house, farm, sew, cook a beautiful meal. Even their picnics were elabo­rate compared with the Dutch door­step sandwiches. Sometimes their expertise was daunting, particularly for women encountering the Kiwi baking spread and knowing they could not reciprocate in the same way.

Furthermore, this Kiwi savvy cut across traditional Dutch class boundaries. Antony van Camp re­calls his astonishment at seeing a doctor, dressed only in shorts, paint­ing his house. Another immigrant, Pieter de Bres, recalls his family’s first meeting with the mayor of Takaka. His children were particu­larly excited. “They thought of a mayor as a very dignified person, formally dressed, living in a beauti­ful home and associating himself mainly with the ‘upper crust’,” said de Bres. “The girls insisted on putting on their colourful cotton and lace Swiss frocks, but were disap­pointed when they found the mayor working in his garden, stripped to the waist, and his wife cooking the meal herself instead of using a serv­ant. The mayor was a blacksmith in­stead of the customary lawyer or other professional we were used to for a person in such a position.”

In the Netherlands people of this ilk would have been more con­cerned with appearing “deftig” than handy, and would never have been dressed so casually. In this su­premely bourgeois society the con­cept of “deftigheid” carries great weight since it neatly synthesises in one word the qualities of dignity, respect, decorum and propriety. You only have to see a Dutch septuage­narian riding her bicycle in the most stately fashion to understand what deftig means.

The Dutch were used to a more restricted way of life, bound by the constraints of space, family and class, and reinforced by history and their Calvinist faith. Centuries of fighting back the ever-threatening sea and struggling to make ends meet have impressed upon these cold-climate people the sense that life is no frolic.

New Zealanders, by contrast, were “slap-happy”. You could al­ways tell a Dutch farm, they said. It was tidier than a Kiwi’s. And no Dutchman would have gone to the pub once the day’s work was done—there was always something else to do for these industrious ants. The presence of the Dutch was a con­stant rebuke to the “she’ll be right” ethic and “go slow” tactics of the 1950s Kiwi worker. Their hard­working stance sometimes caused tensions in the workplace, and many migrants soon sought the rewards of self-employment.

Despite the occasional cultural clash, Dutch integration proceeded smoothly. A 1954 Internal Affairs department record noted approv­ingly: “The Dutch seem to have a positive and conscious drive to as­similate. Many even refuse deci­sively to read the Dutch newspaper or join a Dutch Club, lest it should affect their assimilation.” For those who still spoke Dutch, locals some­times put the pressure on. Most im­migrants can recall hearing the phrase, “Excuse me, it’s rude to speak a foreign language” at one time or other.

The Dutch absorbed the assimila­tion message so thoroughly that any identification with their culture was regarded as a failure. However, many immigrants say that they were only too happy to embrace the freedoms New Zealand offered. Even the Kiwi reserve had its advan­tages. “The Dutch always seemed so bossy and interfering, while New Zealanders left you alone. It was a relief.” “I could do what I liked, and I enjoyed that.” “I could never have tried so many things in Holland.” And a familiar rejoinder when a mi­grant is asked how they would like to live in Holland today is: “In Holland your life is lived for you.”

As an essentially literal people, the new migrants were often con­fused by local colloquialisms and practices. Nearly everyone can re­call coming to a Kiwi function armed with an empty plate, thinking “they must be short of china if they want visitors to bring a plate.” Or their disappointment when they vis­ited someone who suggested they “pop around sometime” but were dismayed when they did. Then there was the boy who went to school with a suitcase because his mother saw other children carrying them. He quickly learned that in New Zea­land boys have satchels and girls have suitcases.

But if anyone grieved for the past, it was the women, who mourned the loss of traditional Dutch family life, sacrificed in the social meltdown. New Zealand families seemed indif­ferent and scattered, thrust as they are by their geography and culture outdoors and outside the home. Kiwis thought nothing of shifting house several times in their lives, while the Dutch tendency is to maintain a satellite existence which revolves around the family; and at its centre, the mother.

A Dutchman will hurry home from work to be with his family, so the New Zealand habit of playing sport in the weekends or going to the pub for the six o’clock swill seemed barbaric to them. Riemke Ensing’s father just couldn’t see the attraction. “Why on earth would I want to go to the pub? That cold, miserable place. I like to go home to see my wife and children.” The Ensing family marvelled at the pa­tience of Kiwi women waiting out­side the pub in cars ready to drive their inebriated husbands home.

Riet Hielkema has lived in Auck­land since 1953, brought up four children here, and even tried once to go back to Holland. She is an en­ergetic, vibrant woman actively in­volved in the Dutch community and a mainstay of numerous social events. Nevertheless, just talking about Holland can bring tears to her eyes, and she is not ashamed to say she has never felt completely at home in New Zealand. Riet is not the only Dutch mother to complain that one of the hardest things she had to deal with was the different concept of family in New Zealand.

“Here it is much harder to keep the family together. I often felt I was fighting the whole neighbourhood over my children. We had strict rules. For instance, they were not allowed to roam the streets. I re­member when Harmen was 16 he drove up in a old bomb with a friend and said he was going for a fun ride. My husband said, ‘Out!’ Harmen felt embarrassed, but he came out. We didn’t want our kids to roam the streets with no purpose.”

Ray Conijn's father Cor looked on a map to find which part of New Zealand had climate characteristics most suited to the growing of tulips. He settled on Balclutha, and now, after 41 years in the country, he and Ray supply cut tulips and bulbs to the entire country. Ray enjoys the challenge of growing difficult varieties. Here he picks elegant pink buds, but the family farm also grows the more conventional reds and yellow.
Ray Conijn’s father Cor looked on a map to find which part of New Zealand had climate characteristics most suited to the growing of tulips. He settled on Balclutha, and now, after 41 years in the country, he and Ray supply cut tulips and bulbs to the entire country. Ray enjoys the challenge of growing difficult varieties. Here he picks elegant pink buds, but the family farm also grows the more conventional reds and yellow.

Hielkema is not alone in her regrets. In many respects, the arche­typal Dutch person is a tame, do­mestic animal obsessed with crea­ture comforts. The Dutch identity does not draw heavily on historic achievements or a rich cultural her­itage. On the contrary, to be Dutch is to make a fuss on a birthday, provide good coffee and rich chocolates at morning coffee, make sure the furni­ture is well-polished and the table covered with little carpets. It means decorating your walls with chiming clocks, petit point pictures, paint­ings of ships in heavy gilt frames and Delfts blauw plates, and placing rows of plants in brass pots in a win­dow fringed with a half-curtain.

Being Dutch is remembering your relative’s 12-and-a-half years wed­ding anniversary and marking birth­days on a special calendar pinned to the toilet door. It is sitting and talk­ing after the meal is finished with­out worrying about clearing the plates, or it’s provoking an argument for the sheer love of stirring things up.

Being Dutch is to have a penchant for, literally, the little things in life. This might be expressed in the print­er’s drawer full of miniatures on the wall, or simply adding “je” to every­thing to make it a diminutive. This suffix acts rather like the English “ie” or “ey”, so a “muis” (mouse) becomes a “muisje” (mousie), and a “huis” (house) becomes a “huisje” (housie). Children’s names often fall prey to this linguistic trick, and some children never grow out of be­ing called names like “Pietje” (Petey) instead of Piet (Peter), or “Hansje” for Hans.

The tendency to reduce every­thing to infant size extends to food, which can often resemble nursery fodder. For a start, it’s gloriously in­dulgent. Chocolate hail on sand­wiches is not a treat, but virtually a national meal, not to mention brown sugar, speculaas or even a slice of ginger cake on bread.

Lunches are usually simple af­fairs consisting of bread with cheese or cold meat from the delicatessen, or, if you prefer, one of a huge range of children’s toppings, starting with chocolate hail and moving on to muisjes (a pink and white aniseed mix) and vlokken (dark, milk, white or all of the above types of chocolate in the shape of cut-up ribbon). Any­ one lunching with a Dutch family should remember that such a sand­wich is eaten open, with a fork and knife.

Main meals continue the nursery theme in that many of the national dishes are simply vegetables mashed with potato: there is “hutspot” (car­rot, onion and potato), “zuurkool” (pickled cabbage mixed with potato) and “boerenkool” (curly kale mixed with potato). Most food is cooked on top of the oven, so meat is usually fried.

Puddings are equally uncompli­cated. You might be offered custard or chocolate custard (pap) or a fruity dairy product like quark or yoghurt.

On the surface, these totems of Dutch culture sound suffocatingly trivial and bourgeois, but underly­ing all the homely clutter and codi­fied behaviour is the demotic social spine of a nation. For all their dourness, the Dutch are surprisingly sentimental, emotional people. The fuss over birthdays, frequent use of diminutives in the language and piv­otal role of the family allude to this fact, but behind all these character­istics is a concept of critical impor­tance to the Dutch: “gezelligheid”.

Gezelligheid is inadequately trans­lated as cosiness. In practice, it stands for an atmosphere as palpa­ble as the bonds which bind people in the Netherlands. A card game can be gezellig, so can a city, a house, a party or a bar. All succeed or fail in direct proportion to the degree of gezelligheid they impart. Against this background it is no wonder New Zealand families appeared sterile and callous.

And while New Zealand sanc­tioned a freer lifestyle than the Dutch were used to, in other re­spects it seemed startlingly repres­sive. The Dutch were struck by the social acceptance of hitting chil­dren, the covert nature of sex education and the way Kiwis socialised—men and women always in separate camps.

Marjan Hoorens van Heyningen (left) emigrated with her husband Louis eight years ago, tried various jobs. then decided thai what New Zealand needed was good Dutch chocolate. Marjan returned 10 Holland to learn the techniques. and now their Christchurch company produces a wide range of tempting centres. Like many of the more recent immigrants, the van Heyningens moved for the sake of their children. "We wanted them to grow up in a nice, clean environment, and to go 10 a good school where the children don't take drugs." With Marit Veken. Marjan pipes decorations on to a fresh batch of "van H's best".
Marjan Hoorens van Heyningen (left) emigrated with her husband Louis eight years ago, tried various jobs. then decided thai what New Zealand needed was good Dutch chocolate. Marjan returned 10 Holland to learn the techniques. and now their Christchurch company produces a wide range of tempting centres. Like many of the more recent immigrants, the van Heyningens moved for the sake of their children. “We wanted them to grow up in a nice, clean environment, and to go 10 a good school where the children don’t take drugs.” With Marit Veken. Marjan pipes decorations on to a fresh batch of “van H’s best”.

While they may have observed such incongruities with puzzlement or mirth, most people will tell you they were too busy to think about themselves. The drive was simply to get on and get ahead as inconspicu­ously as possible, and for the most part they succeeded. Those who went into farming have done par­ticularly well, despite the fact that they had less education and were less proficient in English than their urban counterparts.

The Dutch form a significant pro­portion of New Zealand farmers be­cause they are virtually the only re­cent immigrants to have entered the field in appreciable numbers. Ac­cording to Henri van Roon, who in 1971 wrote his thesis on Dutch agri­cultural migrants, the Dutch brought a state of mind to New Zealand farm­ing, rather than a transfer of skills. The Depression and the War left a lasting impact on these young immi­grants, and, backed up by a long es­tablished Dutch tradition of frugal­ity and hard work, galvanised their determination to do well. “We live more thriftily than New Zealand­ers,” said one. “For instance, we eat bread and cheese intead of a cooked lunch, and eat even bloated meat, and we don’t have meat every day. We stick to Dutch habits.”

Occasionally, the scepticism of Kiwi colleagues gave them an extra impetus to succeed. One Dutch farmer, nicknamed “the Mad Dutch­man” by his neighbours for buying a run-down farm just south of Whangarei, had the last laugh when he bought out both his neighbours within five years. That farmer was the shy but quietly determined Tony Hoebergen, another import from Deurne to “little Deurne”.

Whangarei, had the last laugh when he bought out both his neighbours within five years. That farmer was the shy but quietly determined Tony Hoebergen, another import from Deurne to “little Deurne”.

Hoebergen came to New Zealand in 1949 on the trail of his girlfriend, Miem van den Heuvel, and they were married in 1950. Today they have three sons on farms, and are proud to say they are “very comfort­ably off’ thanks to years of thrift and hard work. Both Miem, as the eldest girl of 12, and Tony, as an assistant in his father’s trucking business since the age of eight, were used to hard work. “I knew what it was like to carry 100 bags of coal on my back before I left school at 12,” says Tony, while, as a teenager, Miem remembers looking after the whole family for weeks on end when her mother was in bed following the birth of one of her brood.

“Dad didn’t want me to get married. He said I was Mum’s right hand. I knew he was right, but I wanted my own life, and for me life was a lot easier when I was married. I didn’t have all my brothers and sisters to look after.”

But family was not forgotten. The night before he married Tony Hoebergen gave all his savings, some £300, to his mother, urging her to take it since he and Miem were young and could start again.

Like many migrants, Tony and Miem realised that sharemilking of­fered the best opportunity to buy their own land. In return for milking the cows and tending stock they re­ceived a percentage of the milk cheque, which increased if they took on farm maintenance or had their own herd and implements. The aim was to set up as 50 per cent sharemilkers as quickly as possible. By putting in extra hours at both ends of the day the Hoebergens achieved this goal in five years. They then moved north, and within two years were milking 300 cows.

Unlike local farmers, Hoebergen wintered his stock in barns, a hango­ver from his Dutch upbringing where animals are indoors all win­ter. Not all Dutch ways, however, could be transplanted so readily to New Zealand. Tilly and Jacques van Eeden spent nine years trying to ac­climatise tulip bulbs to Invercargill conditions, and lost many in the process. They finally succeeded, and now crowds flock to see their display paddock of tulips blazing with colour and variety.

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To consider how the Dutch have altered New Zealand beyond the farm gate we have to go back to the concept of Dutch domes­ticity. It follows that their influence will be felt around the dinner table, be it at home or in a restaurant.Though, on the whole, Dutch haute cuisine is unlikely to inspire imita­tors, the Dutch were used to better quality smallgoods and delicatessen food than were available in New Zealand in the 1950s. The Dutch style of socialising—drinking strong coffee, spirits or a beer in one of the many small, local cafes and bars in the Netherlands—also had an impact on the New Zealand social scene.

Looking back on their early years in New Zealand, many Dutch mi­grants will sum up their impressions of the country with the statement, “You know, when we came we couldn’t even get a decent cup of coffee,” spoken with utter incredu­lity, as if to say, “Barbarians all!” The coffee they encountered was more often than not a bottle of chicory syrup and a tin of con­densed milk, though the comment also refers to the absence of cafés where people could meet and talk.

Suzy van der Kwast, then Bekhuis, was one migrant intent upon changing this dismal state of affairs. She was 21 when she arrived in Invercargill in 1960. Suzy told the authorities she wanted to serve peo­ple, and since there was a shortage of waitresses at the time, her wish was easily granted. But this tall, slim blonde had grander ambitions, and after 18 months of saving hard she was able to start a coffee shop called the Windmill in Wellington. A split with her partner and the arrival of her husband-to-be on the scene re­sulted in the establishment of a new Suzy coffee lounge in 1963.

Though there were other coffee shops in Wellington, Suzy’s tiny premises were “gezellig”, specialis­ing in her own blend of coffee, buf­fet salads including delicacies such as crayfish, and luxuriously rich cakes made by a Dutchman. Suzy’s fast became an institution, in part due to the fact that the shop kept long hours. Suzy opened the doors at Gam, and within an hour the place was full. You could have crayfish salad for breakfast, and some people actually did. For years she closed her establishment at midnight, al­though she eventually tired of the persistent late-night violence and started closing at 10pm.

Christchurch’s Borrel Club started meeting so that Dutch businessmen could swap notes about how they were faring in commercial life. The club meets monthly in the homes of its members, where the men enjoy a barrel (drink), a hapje (snack) and a cigar or two. More than this, they crave discussion-heated discussion. Says club member Karel Adriaens, “It’s hard to find people you can argue with in New Zealand. They take things too personally.”

But it wasn’t just the fare and the high standards that lent Suzy’s a continental air. It was Suzy herself. She loved to dress up, and in her finery, her long red nails clamped around a coffee jug, and her face momentarily obscured under her dashing hat, she was an unforgettable sight.

Suzy’s was razed in 1986 after 23 years of continuous operation, and the first lady of the coffee bar scene an­nounced she was in retire­ment. But four years of jet-setting and relaxing later she was bored, took another plunge and opened a Thai restaurant. She is also a part owner of another café, and when her thoughts wander she says she would like to start a cabaret or nightclub “op zijn Holland’s” with antiques, carpets and the whole gezellig works.

Around the country other Dutch migrants were also making their presence felt in the food arena. In Auckland Otto Groen introduced dine and dance evenings and exotica such as goulash and spaghetti, with varying degrees of success. Han Klisser gave us Swedish Milk Bread, fresh Sunday bread and Swiss-recipe high fibre Vogels bread, while at Mt Ruapehu Dutchman George Mulder was transforming the Tourist Hotel Corporation, raising standards and introducing small Dutch touches like removing the dark blinds and replacing them with Dutch-style white curtains.

Though yoghurt was avail­able here, it tasted vile to the Dutch, and it took De Winkel yoghurts to give us that milky tangy flavour New Zealanders now eat so happily.

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In some respects the Dutch have simply hastened the internationali­sation of New Zealand. Although they may not be directly responsible for introducing vegetables like Brus­sels sprouts, curly kale, witloof and endive, their popularity with the Dutch has been a spur to their ac­ceptance by the wider community.

Think of a lunch you might eat.Cumin cheese, gouda and edam grace the table next to delicate slices of rosbief and salami, rookworst (smoked sausage) and leverworst (liver paste). The bread is Vogels, and you’ve managed to buy a loaf of onbijtkoek (dry spicy cake) from your local delicatessen. You wash all this down with good coffee, and then dare yourself to sample the van Camp and van H chocolates your friend has kindly brought. Perhaps, if you’re healthy, you will clean your teeth with a crisp Royal Gala apple, developed by Bill ten Hove at his Matamata orchard.

You’re sitting, of course in the yellow pine glow of a Lockwood home—the brainchild of two Dutch­men, Jo La Grouw and Jan van Loghem—but you’d be surprised if someone told you that your Ralta electric blanket was named after the van Raalte brothers, who started the business. Your finely tailored Rembrandt suit in the wardrobe al­ludes to a Dutch influence, too: the company is run by a Dutchman, Paul Veltman.

So that’s business. Everyone knows the Dutch are merchants at heart, but what about sportsmanship in this sports-mad country. The Dutch tend to think of sport as the preserve of children, and not to be taken too seriously, but they’ve pro­duced some of the finest soccer stars (Arie van Rooyen and Frank van Hattum), runners (Dick Quax), scullers (Eric Verdonk), skaters (Anje Kremer) and cyclists (Jack and Stephen Swart and Tino Tabak) this country has ever had.

A love of small things is part of the Dutch identity, and a printers box with miniatures is almost universal in Dutch homes. A more sizeable statement of Dutch identity is made by Martin van Doorn in his home in Howick.
A love of small things is part of the Dutch identity, and a printers box with miniatures is almost universal in Dutch homes. A more sizeable statement of Dutch identity is made by Martin van Doorn in his home in Howick.

Only a few years ago you could have paid a visit to the National Art Gallery in Wellington and maybe bumped into its then curator, Luit Bieringa. You might also have been struck by the startlingly dramatic canvases of van der Velden or been lucky enough to see some of Theo Schoon’s work. Schoon was fasci­nated by Maori art, and spent years in the 1960s living as a hermit, going from cave to cave copying Maori rock drawings. He also revived the lost art of gourd decoration, and worked on greenstone, pioneering new styles. This formidable Indone­sian-born Dutch artist also worked in ceramics and design before he died in 1985.

Having saturated yourself in Schoon, you might be confronted next with some of Ans Westra’s im­ages. This Dutch photographer has captured striking images of the Maori, as well as the landscape and the effect people have had on the land.

Some of these names are just as memorable for the controversy they aroused as for their achievements. Take Otto Groen, scourge of the poli­ticians for his blatant flouting of the law prohibiting alcohol in restau­rants, and Ans Westra, criticised by the Maori Women’s Welfare league for her series Washday at the Pa, which, they claimed, focused on the poor living conditions of rural Maori. And let’s not forget all those outspoken Dutchmen, be they bosses or workers, who have offended the unions.

Fortunately for the Dutch, they love an argument, and are not easily daunted by conflict. If only their New Zealand friends and relatives felt the same way! Listen to this la­ment from a New Zealand spouse. “When I first met my husband I used to go with him and sit and listen while he played cards with other Dutch people—bridge, usually. It must have been love, because I couldn’t understand a word of Dutch, and all the magazines around the house were Dutch too.

“I’d watch them as they played. Sometimes one would stand up and abuse his partner at the top of his voice, and then at the end of the evening they’d all be roaring with laughter. I coudn’t work it out. Still can’t, sometimes. It’s taken me years to get used to that.

“Sometimes my husband will go into a situation and say something he doesn’t even believe just to stir things up. I listen amazed, and can’t believe he’s done it.”

What this New Zealander is try­ing to come to terms with is the Dutch sense of humour, which thrives on insult and rebuttal, all acted out as loudly and vigorously as possible. A sensitive Kiwi is likely to get scalded in the process, but the Dutch know it’s good fun, even though they might have just abused your family, called you fat and are about to start on where you live.

So it is at the national Klaverjas (Dutch card game) tournament in Wellington. Heard at one table of four players:

“Where are you living now?” “Auckland, Torbay.”

“Oh, I know some people who live there—the van Daalens.”

“Sure I know them. They used to live in Birkenhead before they moved there.”

Disgruntled player from Christ­church chips in.

“Yes, yes, now we know you’re both from Auckland. Nice for both of you. I’m sure you’ve got very good addresses. But it hasn’t improved your playing. Look at that card, will you!”

That’s just the beginning. In the corner of the room of 108 people another table are having a dispute about points. They forgot to write the points down, so a compromise, which involves averaging out the numbers, is suggested by a mediator. Three at the table agree, but the fourth insists his side has done bet­ter than that, and refuses. He’s a nui­sance, but everyone accepts his right to object and, if they were honest, would admit to finding it rather amusing.

Corrie Zonneveld made a card sweater especially for the occasion.
Corrie Zonneveld made a card sweater especially for the occasion.

The noise level in the Klaverjas room is rising. Even though this is a national tournament with cups, prizes, winners (and a booby prize), the purpose is primarily social. The hubbub in the room, even while the game is on, shows that players are making the most of the opportunity to catch up on old friends around the country.

On the whole, though, Dutch im­migrants profess to despise gather­ings of their countrymen. Dutch clubs have only ever attracted a smattering of immigrants, and among the second generation the re­tention rate is lower than with clubs serving other ethnic groups.

Some of the responsibility for this state of affairs must rest with the assimilation programme, although the antipathy towards anything Dutch also reflects the state of the country they left so many years ago. Factional differences, either of class, region or religion, were rife at the time, and were transported virgo intacta to New Zealand. Reasons given for non-involvement in the clubs range from “it was too full of noisy Catholics”, “uppity Protes­tants”, “rowdy Brabanders” or “nice, simple folk we have nothing in com­mon with”. There are often two Dutch clubs in one city—one for the hoi polloi and one for an elite. Even Klaverjas is played two different ways: Rotterdam’s and Amster­dam’s.

Still, 108 people is a good turnout for the Klaverjas game, and even drinks at the ambassador’s house can pull a crowd of 400 these days. After a lifetime of hard work, many older migrants are now turning back to their past, reverting to their lan­guage and yearning for the emotional aspects of a culture they left behind. They look back to their years in Holland with a delectable nostalgia, and try to balance what they have gained with what they have irretrievably forfeited.

As a rule, the Dutch aren't big on sports... but they are serious card players. At the 1992 Wellington Klaverjas tournament a stormy Dutch argument was sparked when one player forgot to keep score. Geny Wekenborg (standing) tries to mediate between Cris Wissen (left) and Frans Rutten.
As a rule, the Dutch aren’t big on sports… but they are serious card players. At the 1992 Wellington Klaverjas tournament a stormy Dutch argument was sparked when one player forgot to keep score. Geny Wekenborg (standing) tries to mediate between Cris Wissen (left) and Frans Rutten.

It was out of this back-to-the-fu­ture shift in perspective that Ons Dorp in Henderson was created. Bill Verryt, a building contractor, firmly believes that despite all assurances to the contrary, the Dutch remain Dutch and will often seek out fellow Dutch people as they grow older. His dream of establishing the first ethnic retirement village in New Zealand was born out of a concern about eld­erly Dutch migrants he had seen who had forgotten English alto­gether. Able only to speak Dutch, they were suddenly isolated.

Thanks to Verryt, the village, complete with community hall, care centre and geriatric facility for the frail, was opened in 1984. The streets are cobbled and the roofs are like those of a Dutch farm house, and with the neatly curtained win­dows and profusion of flowers, Ons Dorp looks like a piece of Holland in New Zealand.

For others, the yearning is so strong they decide to make the jour­ney home. There are no recent fig­ures on the numbers of Dutch mi­grants going back, but one study in the 1970s showed a 30 per cent re­turn rate. Some in the Dutch com­munity say this could now be as high at 50 per cent. Verryt is not sure what the future of his village is, whether it can always continue to be a haven for elderly Dutch folk, given that there are fewer Dutch immi­grants these days.

But there are signs that the younger migrants are at least inter­ested in continuing to socialise with a group of Dutchies. Club Amster­dam in Auckland is a little more than a year old and thriving. The group, aged between 35-45, meet monthly at the Birdcage Tavern, al­though they eventually hope to have their own premises. They can order tea, coffee or Heineken, speak Dutch, smoke, be more relaxed with members of the opposite sex than New Zealanders are, and engage in a little blunt Dutch banter.

“Hey you, you shouldn’t be drinking,” cries a woman sticking a sharp finger into her male friend’s stomach.

“What do you mean?” he replies patting his belly contentedly. “It’s cost me a fortune to get it like this, and it’ll go on costing just to keep it in shape.”

The mahogany-stained and heav­ily mirrored room at the Birdcage is as rich as a Rembrandt painting, and at the end of the evening the air is thick with good humour and smoke (the Dutch have yet to embrace the non-smoking message). What’s more, everyone is sober.

Harmen Hielkema, a second generation Dutch New Zealander, feels the pull of two cultures, and isn't sure that he fits neatly into either. One positive legacy of his Dutch background is a love of urban art-"of decorating the town." A recent commission by the Auckland Zoo has enabled him to explore this idea on an elephantine scale.
Harmen Hielkema, a second generation Dutch New Zealander, feels the pull of two cultures, and isn’t sure that he fits neatly into either. One positive legacy of his Dutch background is a love of urban art-“of decorating the town.” A recent commission by the Auckland Zoo has enabled him to explore this idea on an elephantine scale.

These newcomers have none of the complaints of their predecessors, though New Zealanders still mystify them a little. They never follow through with invitations, are hard to get to know, and the men are boorish.

But for these people, their deci­sion to emigrate was more of a posi­tive choice than the government-driven migration of the 1950s, and it shows. Unlike their predecessors, they were not escaping the problems of poverty, but those associated with excessive materialism, such as ur­ban congestion and pollution. Some simply wanted escape from a highly regulated society.

Most Dutch migrants’ children, however, would find little to inter­est them in Club Amsterdam. To all intents and purposes they are indis­tinguishable from any other New Zealander of northern European ex­traction. Yet for some, the conflict of cultures has left an indelible impres­sion. The drive to be like New Zea­landers, and thus different from their parents, has created a rift in some families, while others have ac­tively rejected their parents’ obses­sion with work. A few, like Harmen Hielkema, have felt the tug of two cultures strongly in their own life.

Hielkema’s parents are from the Friesian-speaking area of the Neth­erlands, and so he speaks Friesian, Dutch and English. They were one of the few “foreign” families in Torbay 30 years ago, and this red­headed son has strong memories of feeling different and isolated.

His mother’s yearning for home prompted the family of four children to pack their bags and leave New Zealand for good in 1971. Harmen was 13, just the right age to explore the emerging youth culture of Holland at the time. He soon fell in with a group of friends, whipping around the nar­row streets on mopeds, all wearing corduroy jackets and trousers, en­raptured by rock music.

But even here Harmen was a curi­osity. He was handier than most children his age, and good on a bike and a boat. Yet he spoke an old-fash­ioned form of Friesian which had changed during his parents’ time away. When he spoke in shops, the person behind the counter would in­variably eye him askance and ask where he came from. Given the strange ring to his Dutch, they as­sumed New Zealand must be some­where in Holland.

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For Harmen it was the visual dif­ference he remembers most vividly, even now. The skinny fillets of houses hard up against one another, the multi-level perspective, seeing a train running across the top of a dyke with a ship at eye level, all viewed from your car.

Lacking qualifications, his par­ents found it harder to get work than they expected, and three months later they returned to New Zealand. Back home again, the newly sophis­ticated Harmen felt more isolated than ever, and though the feeling wore off, the experience left its mark.

Dr Robert Leek, a Dutch lecturer in English at Auckland University, agrees that many Dutch New Zea­landers would no longer feel at home in the Netherlands. “The Dutch of the 1990s are very different people from those who emigrated in the 1950s,” he says. “They are less traditional in their culture, and more interna­tional in their outlook. Af­ter seeing the Netherlands today, visiting Ons Dorp is like stepping into a time warp.”

While Harmen Hiel­kema feels somehow “be­tween cultures”, he says his own children love their Dutch background. New Zealand has changed too. “They’re not having as much trouble with our surname as I did.”

For the Dutch, 1992 has been a year of "coming out". Whether that means attaching cotton braids to your hair or cycling in clogs and full costume, the country has enjoyed the spectacle. Geweldig!
For the Dutch, 1992 has been a year of “coming out”. Whether that means attaching cotton braids to your hair or cycling in clogs and full costume, the country has enjoyed the spectacle. Geweldig!

Hielkema may have put his finger on the true inheritors of the Dutch tradition: the third generation. Thriving folk-dancing groups in Hamilton and keen interest shown in the new Dutch course at Auck­land University indicate that the third generation may be more inter­ested in their grandparents’ origins than their parents were.

That’s often the way. The further you are from the Dutch, the more interested you are in them. Dutch husbands notice their New Zealand-born spouses are often more enthu­siastic about their heritage than they are.

Since the Dutch wave of immigration, a multi­tude of newcomers, mainly from nearby Pa­cific Islands, but also from, South Africa, England and Asia, have arrived in New Zealand to change things once again, bringing the same hopes, arousing the same prejudices, and settling into the nation’s microcosm just as naturally in the end.

Mind you, any self-respecting Dutchman reading this is bound to add the rider, “Yes, but we make the best immigrants.”