Bill Robertson planned national parks and drew international borders.
Bill Robertson planned national parks and drew international borders.
New Zealand’s 11 wilderness areas offer adventure, solitude and a glimpse of the world as it was. But what does the future hold for what one tramper termed our “hunting grounds for the imagination”?
In recent decades an estimated 20 per cent of the world’s freshwater- fish species have become threatened, endangered or extinct. Extinction rates in fresh water seem higher than in terrestrial and marine environments. But New Zealand’s only extinct freshwater fish—the grayling or upokororo— was probably long gone before the current mass obliteration of species.
The common Jibe of the dance to anyone who seems to know anything is that they are a "walking encyclopedia". And true enough, reading an encyclopedia isn't everyone's idea of nirvana. Traditional encyclopedias tend to be heavy dust-gathering repositories of knowledge consulted only as a matter of last recourse. Many are text-rich, image-poor and quickly become out of date. But in the digital age there are new possibilities for the transmission of knowledge. In a way, the inter-net is a vast uncensored, unedited encyclopedia. Search engines allow us to access information on almost anything in a matter of seconds. But how reliable is it? How complete and authoritative? What institution is responsible for publishing it? A modicum of mistrust is not out of place in cyberspace. Enter Te Ara—the Encyclopedia of New Zealand, an electronic online publication designed to go some way towards addressing these issues. "Te ara" is Maori for "the pathway". On February 8, Helen Clark launched the first leg at a function held at Te Papa, in Wellington. The encyclopedia is produced by a team known as the Reference Group at the Ministry for Culture and Heritage. Some members worked on the Dictionary of New Zealand Biography, originally a print publication but digitised in 2002 . Over the last two years, writers, editors, web designers and image researchers have joined the group, and the enlarged team has worked on the content of the encyclopedia in tandem with website-design firm Shift and IT firm Optimation, which provided the content-management system for the website. Unlike the online encyclopedia Wikipedia, for which anyone can write an entry, the writers of Te Ara are a mixture of external experts and in-house writers and (to ensure readability) editors. Their guiding principles are clarity, telling a story and factual accuracy. In pursuit of the last of these there is rigorous checking. The text for Te Ara undergoes a level of scrutiny similar to that applied to print publications in the most reputable publishing houses. As the encyclopedia is a digital publication, entries can easily be revised in the light of new knowledge, and any errors and typos periodically corrected. The last official Encyclopedia of New Zealand was A.H. McLintock's three-volume 1966 effort, which featured rather too many biographies of dead men interspersed with brilliant eclectic entries on topics such as New Zealand's history of duelling and unsolved crimes. All three volumes of McLintock's alphabetically organised publication have been digitised and launched in tandem with the first section, or theme, of Te Ara—"New Zealanders". This contains 96 entries on the peoples of New Zealand. All the major iwi feature, along with the various peoples who migrated here following European discovery. There are also entries on such topics as when New Zealand was first settled and migrating here on a sailing ship. "New Zealanders" is the first of nine themes, the remaining eight of which are to be published over the next eight years. An encyclopedia that is only one-ninth finished may seem rather unsatisfactory, especially to an international audience unfamiliar with New Zealand's setting and history. To tide users over the period of incompletion, eight concise entries entitled "New Zealand in Brief" provide a broad overview of the country. To give some idea of the depth of the site, if all the material in the first theme were printed it would fill some 6500 pages. There are some 337,000 words in the main text and 197,000 words in the captions. The large amount of text dedicated to explaining and interpreting images reveals one of the most distinctive features of the encyclopedia—the richness and variety of its graphics. The first theme features a wide range of illustrative material from 2394 different sources, including documents, maps, letters, diaries, photographs, artworks, moving images and sound files. These items occupy individual web pages alongside the relevant main-entry text. There are also a myriad ways in which to navigate the site, including using a search engine, which will become increasingly important as the site grows. The eight themes still to come will follow at the rate of one a year, with the last due in 2012. Next to be published will be "Earth, Sea and Sky"— geology, the marine environment and climate. Following this will be "The Bush"—New Zealand's terrestrial life. When the nine-year project is complete, the encyclopedia will be a comprehensive guide to all things New Zealand. Writing an encyclopedia is all about drawing lines where none exists in the real world; hence, each theme is split into around 100 entries. Try fitting all there is to say about New Zealand's geology, marine life and climate under 100 headings without missing out anything important and you will begin to understand some of the challenges the Reference Group faces. How many words do sharks get? Do you provide more text on topics with popular appeal (earthquakes, say) or those which are economically important but unglamorous (such as crushed rock)? These are the types of issues discussed at regular Group meetings. Trying to describe a website in writing is a bit like telling someone how a song goes without singing it. You really have to take a tour yourself. The text has also been checked, peer-reviewed and tweaked so that it tells the rich tale of what makes New Zealand unique in an accurate, literate and colourful way. You can now believe at least some of what you read on the internet.
For years the mountain was no more to me than a waypoint on the flight to Auckland, and an invisible one at that. The view was always obscured by cloud, or it was night. The nearest I came to seeing it was late one afternoon. We flew right over the top. I cursed the flight path. Straining, I could not quite see. The mountain lay directly below the aircraft. But I saw its shadow, a triangle stretching across farmland.
Granite citadels stud the seaward face of the Ruggedy Mountains, in north-west Rakiura/Stewart Island, an area as grand and remote as any in the country. Almost all of New Zealand's third island is wilderness—unbroken swathes of forest or shrubland which run from summit to coast. In recognition of its unspoiled landscapes and biological uniqueness, most of the island is being preserved as a national park—a development many islanders view with mixed feelings.
Rakiura's western shoreline is the flotsam-and-jetsam coast. Here the detritus of human endeavour mingles with nature's dead—albatrosses, whales, kelp, fish. It is the dune coast, too, where a beachcomber can follow kiwi tracks through hillocks of sand or pause to watch a wolf spider transporting her young. It is a place apart.
Gypsies, tramps and thieves—in some measure, New Zealand's swaggers were all of these things. They were opportunists in a society that idolised hard work and conformity. Their vagabondage earned them few friends and little respect, but—like our cheeky alpine parrot—they added a dash of colour to rural life.
Nestled among the eastern ranges of the Southern Alps, an hour's drive from Christchurch, lies a gentle basin bulging with huge boulders and rock outcrops. The area, known as Castle Hill or Kura Tawhiti, is a Mecca for rockclimbers and skiers, but long before Europeans and their sheep appeared, Maori appreciated that the place had a special magic—one that not even the snows of winter could shroud.
A tramper's headlamp arcs a trail through the subterranean recesses of New Zealand's southern‑most mine. The 85-metre tunnel, driven into solid granite, survives as one of a handful of relics from New Zealand's only tin rush—a stampede of ill-prepared men into the miserable weather and impenetrable scrub of southern Stewart Island.Despite high hopes and extravagant claims little metal was ever recovered.
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